- #CAPTURE ONE PRO 12 ESSENTIAL TRAINING UPDATE#
- #CAPTURE ONE PRO 12 ESSENTIAL TRAINING FULL#
- #CAPTURE ONE PRO 12 ESSENTIAL TRAINING MAC#
Key tools such as Crop and Rotate are twice as fast.
The new Advanced Imported is 50% quicker.
#CAPTURE ONE PRO 12 ESSENTIAL TRAINING MAC#
As Capture One writes, 'the future looks fast.' Capture One on an M1-powered Mac has many impressive performance improvements.
#CAPTURE ONE PRO 12 ESSENTIAL TRAINING UPDATE#
Today's update a fundamental redesign of the software and one that Capture One believes is well-positioned for the future.
#CAPTURE ONE PRO 12 ESSENTIAL TRAINING FULL#
To get Capture One running natively on M1 Macs and for it to take full advantage of the hardware, Capture One had to go further than ever before.Ĭapture One had to be rearchitected from the ground up. It was a far deal more complicated for some software, such as Capture One.Ĭapture One says that given the power of Apple's M1 chip, and the 'seismic shift' the new technology represented, it was time to 'completely rethink' its software. When Apple announced its silicon and the new M1 Macs, which currently comprise MacBook Pro, MacBook Air, Mac mini and iMac models, Apple remarked how simple it was for software to be ported from Intel to Apple's silicon. A new update, available now, allows the popular editor to run natively on the M1 chip. Capture One has announced that Capture One 21 is now ready for Apple Silicon. You can read the entire article on DP Review.Īdd another high-end photo editing application to the list for Apple M1 Macs. Is this camera for you? I discuss this in the podcast.Ĭapture One announces native M1 support, promises significant performance improvements I very much enjoy editing the files in Capture One Pro 21. So you can use it in any type of lighting.Īs you might suspect, image quality is outstanding for both Jpegs and RAWs. You have your choice of white lettering on a black background, or black lettering on a light gray background. In fact, it's really fun to shoot this way. Once again, the camera behaves like a modern mirrorless allowing for easy and fast composition on the back LCD. Not only is it sharp and bright, but it tilts both up and down, and sideways. You could hold the camera with one hand and shoot, which is saying something for a medium format machine. The grip is deep and is complemented by an excellent thumb rest on the back. The camera is very comfortable to hold, especially if you have large hands. In addition to click aperture settings, each lens sports the "A" and "C" options that allow you to use automatic mode or customize the aperture changes with the front dial on the camera. In terms of shooting experience, the autofocusing was both responsive and accurate with both the 50mm and 80mm optics. I especially appreciated the realtime geotagging that the tandem accomplishes with ease. The camera's interaction with the Fujifilm Cam Remote app was just as sure-footed as with the X100V. The GFX tops out at 5 fps burst mode, the picture taking experience is more sounds and feels more like a DSLR, and the lenses are much larger as well. Honestly, the GFX felt like its bigger brother. The menu system, controls placement, and general behavior are very similar. What I thought was interesting was that since I shoot regularly with a Fujifilm X100V, I felt right at home with the GFX 100S. In so many ways, it feels like a mirrorless camera. 5-Axis Sensor-Shift Image Stabilization.4K 30fps Video F-Log Gamma, 12-Bit Raw Out.I've been shooting with the hefty but amazing GF 80mm f/1.7 R WR lens ($2,299) that provides an effective focal length of 63mm, and the relatively compact Fujifilm GF 50mm f/3.5 R LM WR lens ($999) with a 40mm effective focal length. It produces files that measure 11,648 X 8,736 pixels, yet feels like a pro caliber DSLR in the hands.
The Fujifilm GFX 100S ($5,999) is a 102MP mirrorless camera featuring a 43.8 x 32.9mm BSI CMOS sensor. Get Serious: The Fujifilm GFX 100S Medium Format Mirrorless Apple Podcasts - Spotify Podcasts - Stitcher
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